Juliette has a curse. When she touches another person, she absorbs their energy. Since a terrible incident when she was younger, Juliette’s been locked away and isolated in an asylum to protect others from her. Until she gets a roommate. A boy roommate. Juliette tries to keep her distance from Adam, but he’s just so clueless. Or… is he? Because the next thing Juliette knows, their both being pulled from the asylum to work for a deranged military commander named Warner, and Adam seems pretty chummy with the other soldiers.
This book felt like such an X-men meets Delirium kind of story. Juliette is literally Rogue. The romance is what makes it feel like Delirium. There’s the tyrannical government sectioning people off, only allowing them to live in Zoned in Areas. I forget what it’s called in Delirium, but in Shatter Me, the governing body goes by the Reestablishment. They limit personal freedoms and people live in squalor in the name of protection from a world ruined by people. Then both of the love interests names start with “A”, and the steamy love scenes just felt so similar and had really similar dialogue. I don’t know, it’s just what it reminded me of.
Juliette’s been in the asylum since she was 13, so her tendency toward hyperbole is understandable. What’s really impressive is Mafi’s handling of the internal dialogue. She manages to convey Juliette’s naivete without making her seem juvenile. Mafi’s writing is poetic and hypnotic, and while I’m not usually a fan of writing in vernacular or purposefully messing with grammar to make a point, but Mafi does it so beautifull. Instead of thought and ideas coming in a sudden rush, like with many writers who write to mimic thought patterns, Mafi has a way of slowing the thoughts down and giving them space to breathe.
Adam’s reason for loving Juliette is the same reason that I don’t love her as a character; she’s whole-heartedly and unfailingly good. She has this power to hurt people, and it’s terrible, but people have also alienated her because of it for her entire life. Any normal person would have considered retaliating, especially when she’s taken by Warner. Any interesting character would have an internal struggle over the issue. But Juliette is uncomplicated this way, and as such, loses what would have been the most compelling part of her character.
The pacing is phenomenal. The author is so aware of the purpose that every even must serve to the story. She’s aware that every moment must mean some learning or action item for Juliette and it must help the reader to discover something new about his world. This knowledge is also helpful for the necessary world-building aspect of a dystopian. The exposition is delivered within the context of the story, not set aside to be synthesized on its own.
I’m excited to see where the story goes next. We leave Juliette and Adam in a promising place for character development and upcoming action. This book is fun, if familiar. The familiarity of it lends a sense of safety, like we know how this will end. I hope the author uses those expecations to her advantage and surprises us with the next installment. I give it a 3 out of 5 stars and recommend to those looking for a steamy YA, with a quickly moving plot and beautiful writing.